Fashion Portrait
Bea Müller
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Fashion Portrait sets a dark-haired woman against a deep maroon ground in an oversized pink coat scattered with orange circles and crescents. The garment takes up most of the picture, falling in wide flat panels that push the shoulders out past the frame of her body. Her face is built from very little: two eyes, a narrow orange nose and two round orange cheeks. The paint is laid in dry strokes that leave the brush visible across every shape. It reads as a fashion plate more than a likeness, which is what keeps it graphic.
Fashion Portrait sets a dark-haired woman against a deep maroon ground in an oversized pink coat scattered with orange circles and crescents. The garment takes up most of the picture, falling in wide flat panels that push the shoulders out past the frame of her body. Her face is built from very little: two eyes, a narrow orange nose and two round orange cheeks. The paint is laid in dry strokes that leave the brush visible across every shape. It reads as a fashion plate more than a likeness, which is what keeps it graphic.
Product ID 470602A coral or terracotta frame could work well here, picking up the orange instead of neutralising it. Walnut is the quieter option and warms the maroon. It pairs nicely with wood, cream walls and a little polished metal, and it earns its place in a hallway where you pass it rather than sit with it. Leaned on a sideboard it works just as well as hung.
The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.
Our sizes in cm and inches:
21x30 cm / 8.3x11.8"
30x40 cm / 11.8x15.7"
40x50 cm / 15.7x19.7"
50x50 cm / 19.7x19.7"
50x70 cm / 19.7x27.6"
70x100 cm / 27.6x39.4"
When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50x70 cm poster takes a 50x70 cm frame. No trimming or adjusting needed.
We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and art walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.
Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.
Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.
We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.
Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.
We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.
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Bea Müller is a freelance illustrator based in London, where motherhood and creativity sit at the heart of everything she makes. Her work spans two distinct modes: spare, minimal line drawings built on simple shapes and rhythm that leave room for the viewer's own interpretation, and bolder, more playful pieces bursting with pink, deep green, and blooming florals, often created for editorial or branding work. It was her daughter who inspired both her brand name and the stories of Soley and the Bear, and that same personal connection runs through her wider practice. Motherhood, diversity, female empowerment, and climate change are themes she returns to often, each illustration carrying something of what matters to her most.
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