Woman With Pink Flowers
Bea Müller
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Woman With Pink Flowers hides almost all of its figure behind an armful of pink blooms, each one opened flat with a small red centre. Only a dark head of hair, a blue sleeve and two bare feet are left showing. She stands on a band of deep teal with a cream speckled wall behind her, wearing a wide skirt striped in yellow and bone. The flowers are painted without outlines, so they read as shapes before they read as petals. It is a picture about carrying something larger than yourself.
Woman With Pink Flowers hides almost all of its figure behind an armful of pink blooms, each one opened flat with a small red centre. Only a dark head of hair, a blue sleeve and two bare feet are left showing. She stands on a band of deep teal with a cream speckled wall behind her, wearing a wide skirt striped in yellow and bone. The flowers are painted without outlines, so they read as shapes before they read as petals. It is a picture about carrying something larger than yourself.
Product ID 470402A white frame could work well here, giving the cream ground somewhere to end without cooling the pink. Light oak is the warmer choice. It pairs nicely with green plants, rattan and pale linen, and the teal floor band gives you a second colour to pick up in a cushion or a vase. Above a sideboard or a low shelf the tall format has room to breathe.
The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.
Our sizes in cm and inches:
21x30 cm / 8.3x11.8"
30x40 cm / 11.8x15.7"
40x50 cm / 15.7x19.7"
50x50 cm / 19.7x19.7"
50x70 cm / 19.7x27.6"
70x100 cm / 27.6x39.4"
When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50x70 cm poster takes a 50x70 cm frame. No trimming or adjusting needed.
We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and art walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.
Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.
Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.
We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.
Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.
We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.
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Bea Müller is a freelance illustrator based in London, where motherhood and creativity sit at the heart of everything she makes. Her work spans two distinct modes: spare, minimal line drawings built on simple shapes and rhythm that leave room for the viewer's own interpretation, and bolder, more playful pieces bursting with pink, deep green, and blooming florals, often created for editorial or branding work. It was her daughter who inspired both her brand name and the stories of Soley and the Bear, and that same personal connection runs through her wider practice. Motherhood, diversity, female empowerment, and climate change are themes she returns to often, each illustration carrying something of what matters to her most.
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