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Meet German-based artist Franziska Loos, with a background in graphic design and an MA from the Berlin University of the Arts. Inspired by several themes, like the ideas from Bauhaus, reduced simplicity and the interplay of colour, form and geometry, she has created an art series called Morphologia. Her style derives from an interest in pure and abstract shapes that are universally readable.
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Art and design have always been part of my life, so to speak. As a child, I experimented with everything I could get my hands on. My father’s shed was a heavenly treasure trove for finding interesting materials and surfaces. I loved all creative projects even then. After graduating from high school, I studied Visual Communication (M.A.) with a focus on graphic design (supervised by Prof. Fons Hickmann) at the Berlin University of the Arts. As a designer, I play with visual identities. Still, a few years ago, I couldn’t resist the temptation to work more with my hands again. My style was born from my interest in pure, abstract, geometric forms that are universally readable without sacrificing superfluous elements.
My latest collection is part of the Series Morphologia. Morphologia is an attempt to experimentally investigate forms in terms of their peculiarities, developments and laws. A reduced simplicity, an economy of space, helps to concentrate on the essentials until this is again disturbed by a contradictory curve or angle.
The ideas of the Bauhaus undoubtedly inspire me. Establishing new ways of seeing, always trying to rethink the world and thereby designing living environments according to people’s needs is what drives me. In doing so, I try to absorb impulses from all art movements.
The uncontrollability of the interplay of colour, form and material, which always communicate differently with each other. My artworks represent an extension of my graphic language. They include geometric shapes, clean lines and borders that subtly connect with each other.


Freedom, emotions, fear, happiness ... life in its concentrated form.
Time. If you get into a flow, time races, and suddenly, it’s the middle of the night.
I relax by swimming in the lake in the forest next door. Every day. Preferably every day.
Art can touch emotionally and create space for reflection of the unconscious.
Berlin. The big city is wild, exciting, dirty and always different. But in reality, it is also a village. You’re quickly in nature, in the forest, at the lake. That’s great luck. Nature is the greatest inspiration of all for me.
The time of day doesn’t matter. The best thing is to be trapped inside during a thunderstorm and paint in a doomsday mood.
Large format is always great.


Dancing in the rain.
Electric salt shaker.
Soft ice cream. I can’t live without it.
A mix of both, actually - without wanting to be diplomatic.
I am currently experimenting with larger formats and found painting surfaces.
The sound of the sea.
Posters by Franziska Loos
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