Merry Christmas Cabin
Andreas Magnusson
New


On canvas the cross stitch finds its own material. The weave of the cloth runs at the same scale as the stitches in the picture, so the snow, the red timber cabin and the firs read as thread meeting thread rather than as a photograph of embroidery. The tartan border carries right to the edge on all four sides, which suits a surface with no margin, and the deep red of the greeting holds its weight across the larger sizes. Stretched over a wooden frame, it arrives ready to hang and needs no glass in front of it, so nothing reflects back at the pattern. A float frame adds a narrow shadow gap around the edge.
On canvas the cross stitch finds its own material. The weave of the cloth runs at the same scale as the stitches in the picture, so the snow, the red timber cabin and the firs read as thread meeting thread rather than as a photograph of embroidery. The tartan border carries right to the edge on all four sides, which suits a surface with no margin, and the deep red of the greeting holds its weight across the larger sizes. Stretched over a wooden frame, it arrives ready to hang and needs no glass in front of it, so nothing reflects back at the pattern. A float frame adds a narrow shadow gap around the edge.
Product ID CAN485502Warm wood suits it best, so an oak float frame carries the timber and the thread without adding a hard line. Left plain the canvas reads softer and more like a textile, which is often the right answer for a piece like this. Hang it in a hallway or a living room where it can sit alongside wool and wood, and give it a wall of its own rather than a gallery wall, since the tartan border already acts as a frame.
The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.
Our sizes in cm and inches:
21x30 cm / 8.3x11.8"
30x40 cm / 11.8x15.7"
40x50 cm / 15.7x19.7"
50x50 cm / 19.7x19.7"
50x70 cm / 19.7x27.6"
70x100 cm / 27.6x39.4"
When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50x70 cm poster takes a 50x70 cm frame. No trimming or adjusting needed.
We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and art walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.
Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.
Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.
We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.
Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.
We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.


Meet the artist
Andreas Magnusson is a Stockholm-based graphic designer whose creative path runs through music, touring, and live performance. That background shows in his work, compositions with rhythm, contrast, and an intuitive sense of timing. He works across a striking range of styles, from bold typographic posters to retro-inspired imagery and clean geometric design, transitioning from touring musician to digital design artist during the pandemic. His approach differs from project to project, ranging from image editing to illustration, with the end result always the most important thing. Whether working with typography, illustration, or image manipulation, Andreas brings a musician's improvisational spirit to every project, creating pieces that carry strong visual weight and hold their own on any wall.
New
New
New
New
New
New
New
New