Textured Botanical
Josie George
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Leaf Quartet divides the sheet into four and gives each quarter a fanned leaf shape radiating from a small round point. Dusty blue sits top left, rust brown top right, olive below on the left and a pale grey-green on the right, all on a cream ground with a grainy, powdered texture. The cuts are flat and simple in the way Matisse made flat and simple look easy, and the repetition across four panels is what holds the piece together. The palette is autumnal without a single falling leaf. It carries colour into a room while staying fundamentally quiet.
Leaf Quartet divides the sheet into four and gives each quarter a fanned leaf shape radiating from a small round point. Dusty blue sits top left, rust brown top right, olive below on the left and a pale grey-green on the right, all on a cream ground with a grainy, powdered texture. The cuts are flat and simple in the way Matisse made flat and simple look easy, and the repetition across four panels is what holds the piece together. The palette is autumnal without a single falling leaf. It carries colour into a room while staying fundamentally quiet.
Product ID 468602A black frame with a wide mat could work well here, extending the cream border already in the image. It pairs nicely with jute, pale plaster walls and anything undyed — linen, raw wood, unglazed ceramics. Above a bed in a larger size it fills the wall without needing company. Oak will warm the cream further if your room runs cool.
The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.
When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50×70 cm poster takes a 50×70 cm frame. No trimming or adjusting needed.
We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and gallery walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.
Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.
Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.
We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.
Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.
We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.


Nina, known as Treechild, works from her home in Germany, where a lifelong love of colour and flowers finds its way into every piece she creates. With tablet and camera, brush and watercolour, she moves easily between digital work and traditional media, letting the medium shift with her mood. Her artistic streak took root in childhood, sparked by visits to exhibitions and vernissages with her father, and grew through years of teaching herself to draw and photograph. Guided more by feeling than by plan, she lets each day shape what she creates, keeping her work spontaneous, curious, and full of quiet wit.
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