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    Two painted horses in heavy dark contour turned toward each other, bodies in dusty blue-green, under an apricot sun on warm grey
    Treechild

    Equine Embrace Poster

    $41.99$52.99

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    In the same series

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    • Four fanned leaf shapes in dusty blue, rust, olive and pale grey-green, one per quarter, radiating from small round points on cream

    Equine Embrace paints two horses in heavy dark contour, turned toward each other so their muzzles almost meet. Their bodies are filled with a dusty blue-green laid down in visible strokes, while the ground and sky stay in warm grey and bone. An apricot sun sits high on the right with a pale halo around it, the only warm note in the picture. The surface has the grain of handmade paper, which keeps the naive drawing from reading as flat. It is a quiet piece about closeness rather than about horses.

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    Treechild

    Equine Embrace Poster

    Description

    Equine Embrace paints two horses in heavy dark contour, turned toward each other so their muzzles almost meet. Their bodies are filled with a dusty blue-green laid down in visible strokes, while the ground and sky stay in warm grey and bone. An apricot sun sits high on the right with a pale halo around it, the only warm note in the picture. The surface has the grain of handmade paper, which keeps the naive drawing from reading as flat. It is a quiet piece about closeness rather than about horses.

    Product ID 468302
    Styling tips

    A slim black frame could work well here, sharpening the contours without competing with the muted palette. It pairs nicely with linen, tan leather and pale wood — anything with a soft surface. Above a bed it reads as calm rather than decorative, which is what you want in a room you wake up in. If your walls run warm, oak will pull the sand tones forward instead.

    Size guide

    The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.

    When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50×70 cm poster takes a 50×70 cm frame. No trimming or adjusting needed.

    We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and gallery walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.

    Material

    Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.

    Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.

    Product background

    We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.

    Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.

    We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.

    MEET THE ARTIST

    Treechild

    Nina, known as Treechild, works from her home in Germany, where a lifelong love of colour and flowers finds its way into every piece she creates. With tablet and camera, brush and watercolour, she moves easily between digital work and traditional media, letting the medium shift with her mood. Her artistic streak took root in childhood, sparked by visits to exhibitions and vernissages with her father, and grew through years of teaching herself to draw and photograph. Guided more by feeling than by plan, she lets each day shape what she creates, keeping her work spontaneous, curious, and full of quiet wit.

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