The Hunt
Christina Misuro
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10% off all canvas
Valid until midnight, Monday 12 October
The Hunt places two long-limbed sighthounds against a deep wine-red ground, painted in visible strokes with muted greens, bone and soft yellow drifting through. Canvas suits this motif particularly well — the woven surface echoes the original painted texture and gives the brushwork a physical presence. As wall art it has a more elevated, gallery-like quality than paper, and it arrives ready to hang. A float frame adds a narrow shadow gap that lends the piece a refined, premium finish, making canvas the more exclusive way to live with it. The earthy, low-key palette settles easily into rooms with wood, stone and soft textiles.
The Hunt places two long-limbed sighthounds against a deep wine-red ground, painted in visible strokes with muted greens, bone and soft yellow drifting through. Canvas suits this motif particularly well — the woven surface echoes the original painted texture and gives the brushwork a physical presence. As wall art it has a more elevated, gallery-like quality than paper, and it arrives ready to hang. A float frame adds a narrow shadow gap that lends the piece a refined, premium finish, making canvas the more exclusive way to live with it. The earthy, low-key palette settles easily into rooms with wood, stone and soft textiles.
Product ID CAN463502Left unframed the canvas reads as a painting, which is exactly what suits this motif. A float frame in oak could work well if you want a little more formality, with the shadow gap adding depth without hardening the edges. It pairs nicely with bouclé, marble and pale parquet — soft surfaces that echo the painterly texture. Above a low chair or a sideboard it sets the mood for a whole corner on its own.
The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.
When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50×70 cm poster takes a 50×70 cm frame. No trimming or adjusting needed.
We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and gallery walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.
Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.
Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.
We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.
Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.
We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.

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Christina Misuro's paintings dwell in the space between the visible and the invisible, where memory, instinct, and emotion take shape as symbolic landscapes. Working primarily in oil, she builds atmospheric surfaces through layered colour, allowing spectral figures and fluid forms to emerge gradually, as though remembered rather than invented, rendered not as illustration but as embodiment. Pushing beyond traditional figurative art, she incorporates abstract elements, bold colour, and nuanced texture to heighten emotional impact, finding in painting a place to hold contradiction rather than resolve it. Each piece is a reflection of a moment, a feeling, or a story, rendered in a way that is visually striking yet accessible.
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