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    Canvas with a spotted big cat seated in profile in black on a soft beige background
    Jenny Liz Rome

    Seated Leopard Canvas

    €39,99€44,99
    PosterCanvas

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    • In stock
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    10% off all canvas
    Valid until midnight, Monday 12 October

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    Seated Leopard carries a spotted big cat across the canvas, seated in profile with the tail curled forward, in black on a soft beige ground. The markings are solid rounded spots and the face is built from a handful of lines, so the motif stays graphic at any size. The woven surface softens the printed edge and gives the flat beige a depth that paper does not have. As wall art it has a more elevated, gallery like presence and arrives ready to hang, and a float frame adds a narrow shadow gap that makes canvas the more exclusive of the two formats.

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    Jenny Liz Rome

    Seated Leopard Canvas

    Description

    Seated Leopard carries a spotted big cat across the canvas, seated in profile with the tail curled forward, in black on a soft beige ground. The markings are solid rounded spots and the face is built from a handful of lines, so the motif stays graphic at any size. The woven surface softens the printed edge and gives the flat beige a depth that paper does not have. As wall art it has a more elevated, gallery like presence and arrives ready to hang, and a float frame adds a narrow shadow gap that makes canvas the more exclusive of the two formats.

    Product ID CAN455302
    Styling tips

    Hung as it comes, the canvas keeps the beige running out to the edge, which suits how much quiet sits around the motif. A float frame in light oak could work well if you want a little more ceremony. In a kids' room, a nursery or a calm corner of the living room it stays playful without turning loud. It pairs nicely with warm whites, soft textiles and simple Scandinavian furniture.

    Size guide

    The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.

    When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50×70 cm poster takes a 50×70 cm frame. No trimming or adjusting needed.

    We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and gallery walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.

    Material

    Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.

    Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.

    Product background

    We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.

    Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.

    We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.

    MEET THE ARTIST

    Jenny Liz Rome

    Working from her studio in Southern Ontario, Jenny Liz Rome creates art that lives somewhere between the delicate and the raw. After graduating from OCAD University in 2009, she began shaping the distinctive style that would define her practice, moving fluidly between traditional and contemporary media and layering paint, ink, and digital technique into what she calls fantasy portraiture. Her figures merge feminine grace with something more untamed, drawing on wild creatures and instinct to give each piece an edge that feels both dreamlike and grounded. Recently, her work has taken a personal turn, drawing inspiration from her experiences as a mother. Jenny has also turned her attention closer to home, working on an initiative to bring arts education to Sarnia, Ontario, the town where she grew up.

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