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A gallery wall is the quickest way to make a room feel like yours – and the easiest thing to overthink. The good news is that almost every wall that works is built on one of a handful of layouts. Here are five of them, drawn to scale with the exact sizes, together with real walls you can copy straight off.
In short
Most gallery walls go wrong in the same way: you buy the posters you love first and try to make them fit afterwards. Turn it around. Choose a layout that suits the wall and the furniture below it, treat the whole group as one large piece, and then fill the frames.
Here are five layouts that always work, each drawn to scale with the sizes you need and shown on a real wall you can shop frame by frame. For hanging heights room by room, see our guide to hanging wall art.
Two prints in the same size, side by side, with 6–8 cm between them. It’s the easiest gallery wall there is, and it never looks unplanned. Choose two motifs that talk to each other – the same artist, the same colours or two parts of a series – and centre the pair on the sofa, not on the wall.
About 106 cm wide, two thirds of the sofa. 50x70 is our most popular size, so there’s plenty to choose from.
About 146 cm wide. Big enough to hold a large living room wall or the space above a wide bed.
Three or more prints in the same size in a straight line, with exactly the same gap between every frame. A row loves long, low furniture: a sideboard, a bench or a wide sofa. Keep the frames level and the gaps identical – a row only works when it’s precise.
About 102 cm wide. Calm and graphic, and easy to add to later.
About 129 cm wide. Small formats in a long row read as one confident line.
Four, six or nine frames in the same size, in even rows and columns. The grid is the most ordered gallery wall and the easiest one to get perfect: measure once, keep every gap the same, and the wall looks designed. It’s a good way to show a series, or a mix of motifs held together by one frame colour.
About 66 cm wide. A small grid for a sideboard, a desk or a chest of drawers.
About 132 cm wide and 106 cm tall. A grid this size fills a living room wall on its own.
One large print with one or two smaller ones beside it. The large print is the anchor and sets the mood; the small ones add rhythm. Line the small frames up with the top or bottom edge of the large one, or stack two of them so they match its height – and keep the same gaps as everywhere else.
About 106 cm wide, with the bottom edges lined up. Works just as well above a dining table.
About 77 cm wide. Two stacked 21x30 are almost exactly as tall as one 50x70, so the group reads as one shape.
Five, six or more frames in different sizes and orientations, the way walls looked in the old Paris salons. It looks spontaneous, but it isn’t. Start with the largest print a little off-centre, build outwards, and keep the outer edges of the group roughly inside an imaginary rectangle. Mix portrait and landscape, but keep the gaps the same.
About 140 cm wide: one 50x70 as the anchor, three 30x40 (one turned to landscape) and two 21x30.
About 112 cm wide: one 40x50 in the middle, two 30x40 and two 21x30.
Not ready to drill? Lean the largest print on a sideboard, a shelf or the floor, and hang one or two smaller ones above or beside it. The layers make the wall feel relaxed and collected over time, and you can swap the motifs in a minute.
Start with the anchor. Pick the print you love most – often the largest – and let the others play supporting roles.
Repeat two or three colours. The motifs can be completely different as long as a few colours come back across the wall. Our gallery wall guide by Studio In goes deeper into colour.
Mix the kinds of motifs. Abstracts, photography, botanicals and typography sit well together, and the mix is what makes the wall feel personal.
Turn a frame or two. A landscape frame among the portraits gives the wall movement.
The frames do as much for a gallery wall as the posters. A white mat board around a small print makes it look bigger and more finished, and helps a mix of sizes feel calm – read everything about mat boards. Three ways to do the frames:
| Look | Good to know | |
|---|---|---|
| One frame colour | Calm and gallery-like | Black or oak work with almost any motif |
| Two frame colours | Relaxed but tidy | For example oak with two or three black frames spread across the wall |
| Mixed frames | Collected over time | Keep the motifs in one palette so the wall still holds together |
Lay the frames out on the floor until you like the composition. Trace each one on paper, mark where the hook goes, and tape the papers to the wall. Live with it for a day, then put the nails straight through the marks and pull the paper off.
Anything from two to ten works. Two or three is the easiest place to start. For a full wall above a 200 cm sofa, five to seven frames in mixed sizes, or six in a grid, fill about two thirds of the width.
5–8 cm between all the frames. The exact number matters less than keeping it the same everywhere – uneven gaps are what make a gallery wall look messy.
Treat the group as one picture and hang the middle of it about 145–150 cm from the floor. Above a sofa, leave 20–30 cm between the back of the sofa and the lowest frame.
They don’t have to be. One colour is the calmest choice, two colours feel relaxed but tidy, and mixed frames work when the posters share a few colours.
21x30, 30x40 and 50x70 are the classic trio, with 40x50 and 70x100 as the next step up. Use one large size as the anchor and fill in with smaller ones.
Yes. A few landscape frames among the portraits make a salon wall feel lively. Keep the gaps the same and the outer edges of the group roughly straight.
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