Singles Day · 23 h left
51% off all posters


51% off all posters
Valid until midnight, Wednesday 11 November
23 h 53 min left
Green Alligator borrows the language of early twentieth century Italian advertising and uses it for an aperitif that never existed. An alligator stands upright on its hind legs against a near-black ground, body painted in flat yellow and olive with a dark outline, tail curled behind it, one arm thrown up and the other holding a bottle labelled APERITIF above its head. Its mouth is open in something between a grin and a roar. Below, VERDE VIVO is set in heavy yellow capitals, with APERITIVO DIGESTIVO and a founding line in smaller type underneath. The colour is laid down flat with no shading, the way a lithographed poster would print.
Green Alligator borrows the language of early twentieth century Italian advertising and uses it for an aperitif that never existed. An alligator stands upright on its hind legs against a near-black ground, body painted in flat yellow and olive with a dark outline, tail curled behind it, one arm thrown up and the other holding a bottle labelled APERITIF above its head. Its mouth is open in something between a grin and a roar. Below, VERDE VIVO is set in heavy yellow capitals, with APERITIVO DIGESTIVO and a founding line in smaller type underneath. The colour is laid down flat with no shading, the way a lithographed poster would print.
Product ID 489002The black ground makes this a strong piece, and it does best with a frame that does not compete: black or dark oak keeps it in the poster tradition, while light oak lifts the yellow and makes it friendlier. Hang it where there are bottles and glasses, so a bar corner, a kitchen wall or a dining room, and let it sit on a plain wall rather than in a group. It pairs with brass, dark wood and green glass.
The size of our posters always refers to the actual paper size — not the motif. Some posters include a white border that frames the artwork, similar to a passepartout. Where this is the case, it will be noted in the product description and is also visible in the product images.
Our sizes in cm and inches:
21x30 cm / 8.3x11.8"
30x40 cm / 11.8x15.7"
40x50 cm / 15.7x19.7"
50x50 cm / 19.7x19.7"
50x70 cm / 19.7x27.6"
70x100 cm / 27.6x39.4"
When choosing a frame, make sure to match it to the poster size. Our frames are designed to fit our posters exactly — a 50x70 cm poster takes a 50x70 cm frame. No trimming or adjusting needed.
We offer a wide range of sizes to suit any wall, from smaller formats perfect for shelves and art walls, to larger statement pieces that anchor a room. Not sure which size is right for your space? Feel free to contact us — we're happy to help.
Our posters are printed on 200 g/m² premium matte paper made from FSC® Mix Credit Paper 100%. The paper is archive-proof, meaning it won't yellow over time, and all printing is done in modern facilities with ISO 14001 certification.
Our frames come in a variety of colours and materials, all ethically sourced and produced with care for people and the environment. Available in multiple sizes to suit any wall and any home. If you have any questions about our products, don't hesitate to reach out to our customer support team.
We believe that greater transparency helps drive the change towards a more sustainable future. As part of this long-term commitment, we work continuously to know and share how and where our products are made.
Our products are sourced from carefully selected suppliers across the Nordics, Europe, and Asia. For example, our posters are printed at leading printing facilities in Northern Europe, certified with the Nordic Swan Ecolabel and operating as 100% climate-neutral since 2011.
We care about the conditions under which our products are made. If you'd like to know more about the origin or production conditions of a specific product, reach out to our customer support team — we're happy to share what we know.


Meet the artist
Andreas Magnusson is a Stockholm-based graphic designer whose creative path runs through music, touring, and live performance. That background shows in his work, compositions with rhythm, contrast, and an intuitive sense of timing. He works across a striking range of styles, from bold typographic posters to retro-inspired imagery and clean geometric design, transitioning from touring musician to digital design artist during the pandemic. His approach differs from project to project, ranging from image editing to illustration, with the end result always the most important thing. Whether working with typography, illustration, or image manipulation, Andreas brings a musician's improvisational spirit to every project, creating pieces that carry strong visual weight and hold their own on any wall.